The Metamatic Percussion Trio
"The trio of Tim Daisy, Philip Sudderberg, and Julian Kirshner, perform original compositions and improvisations arranged for a wide array of traditional and non-traditional percussion instruments."
A Fine Day In Berlin
The Tim Daisy Trio
"Daisy recorded this improvised session with Norwegian pianist Havard Wiik and Australian bassist Clayton Thomas during a particularly adventurous afternoon session in Berlin. It's definitely not a standard piano trio. It's more of an experimental vehicle maneuvered by the collective spirit of the players and the moment. —Tom Burris"
"Solo compositions and improvisations performed by Chicago based percussionist and composer Tim Daisy Selected instruments recorded in various combinations including: drums/marimba/ Califones/metal percussion/bass xylophone/transistor radios/bells/chains/sticks/malletts/brushes Recorded live, without overdubs :)"
Music For Lying Still
"Music For Lying Still is Chicago based composer and percussionist Tim Daisy's latest solo release. Further developing methods and ideas explored by his two previous solo efforts: 'Relucent: music for marimba, radios and turntables' (relay 012), and 'Red Nation 1' (relay 018), MFLS is the first to utilize a multi-track, multi-layered recording process to develop and shape the composition. All the sound making devices were recorded separately and then assembled and edited into one continuous, twenty-five-minute composition. Music for Lying Still is the first in a set of three releases using the studio as an integral component of the music making process. -multi-layered, mystic metaphoric, ambient, experimental low-fi gamelan drone music for people who like to lie still. "
Relucent - Music for marimba, radios and turntables
"This music is playfully serious and seriously inspired. It is obsessed with sonic juxtaposition, yet it is highly melodic. It wears its influences openly, yet it is refreshingly new. Born of improvisations, shaped into compositions, Daisy has written pieces that are sturdy, finely crafted morsels of musical experiences that the listener will return to again and again. —Tom Burris, Free Jazz Blog"
October Music (Vol 1) 7 Compositions For Duet
"The length of these pieces is just right. No solo overstays its welcome. No theme becomes cumbersome. In fact, they're downright lovely; perfectly suited for each duet. The track sequencing is brilliant, encouraging many repeated listening sessions. And for you audiophiles, Alex Inglizian not only captured some amazing sessions; he also managed to record and mix acoustic piano and drums perfectly. Perfectly, I say! —Tom Burris, Free Jazz Blog"
October Music (Volume 3) 7 Compositions For Duet
"One suspects that Daisy sees the composer’s task as very close that that of a good drummer — to set up opportunities for other people to sound good and to keep the music moving. He hands the other two guests, alto saxophonist Nick Mazzarella and guitarist Steve Marquette, material that brings out their respective bests. Taking the point a bit further, Daisy seems to be spending this phase of his career listening closely to what Chicago has to offer and reflecting the best parts for others to hear. —Bill Meyer, Dusted Magazine"
New Works for Solo Percussion
"New Works for Solo Percussion, reveal how Daisy has developed his long-standing facility with sonic contrasts into a system for generating and sustaining dramatic tension for 15 minutes at a time. —Bill Meyer, Chicago Reader"
"...one of its most curious releases yet: the 18-minute solo piece "Staklo," on which Daisy plays glass instruments, including bowls and glasses (he also blows into bottles). —J.R. Nelson, Chicago Reader"