"Solo compositions and improvisations performed by Chicago based percussionist and composer Tim Daisy Selected instruments recorded in various combinations including: drums/marimba/ Califones/metal percussion/bass xylophone/transistor radios/bells/chains/sticks/malletts/brushes Recorded live, without overdubs :)"
Music For Lying Still
"Music For Lying Still is Chicago based composer and percussionist Tim Daisy's latest solo release. Further developing methods and ideas explored by his two previous solo efforts: 'Relucent: music for marimba, radios and turntables' (relay 012), and 'Red Nation 1' (relay 018), MFLS is the first to utilize a multi-track, multi-layered recording process to develop and shape the composition. All the sound making devices were recorded separately and then assembled and edited into one continuous, twenty-five-minute composition. Music for Lying Still is the first in a set of three releases using the studio as an integral component of the music making process. -multi-layered, mystic metaphoric, ambient, experimental low-fi gamelan drone music for people who like to lie still. "
Relucent // music for marimba, radios and turntables
"‘Relucent’ is Chicago composer and percussionist Tim Daisy’s latest solo effort. A collection of compositions and improvisations combining recent explorations with turntable manipulation and radio static with his expanding vocabulary as both a composer and improviser on the marimba. Fusing collage and abstraction, the compositions and improvisations on Relucent combine Tim’s multiple influences from the worlds of visual art and sound into a suite of eleven varied and dynamic musical situations. Building on almost two decades worth of experience working with a wide array of musicians and ensembles from both the Chicago and European experimental music scenes, Tim Daisy has created a unique body of work which draws on his past experiences in improvisation and composition, while at the same time forging ahead into new and unknown territory. "
October Music (Vol 1) 7 Compositions For Duet
"Relay Records is proud to present the latest release in it’s catalog: “October Music (vol 1) 7 Compositions For Duet” (relay 009) documents a set of duet compositions written by Chicago based percussionist Tim Daisy, each piece performed in a duo format, and each written specifically for seven Chicago based musician"
October Music (Volume 3) 7 Compositions For Duet
"Relay Records is proud to present the third volume in it’s October Music catalog: "Tim Daisy October Music (vol 3) 7 Compositions For Duet" (relay 024) documents a set of new compositions written by Chicago based percussionist and composer Tim Daisy; each work performed in a duo format and written specifically for these seven Chicago based musicians. "
New Works for Solo Percussion
"Inspired by a wide range of influences from both the worlds of sound and visual art, Tim has organized a series of new pieces which continue to investigate the balance between composed and improvised sound making, and how these two worlds influence and affect the other."
"It somehow splits the difference between gamelan music and an imaginary Terry Riley version of the 70s jingle "Buy the World a Coke." - J.R. Nelson, Chicago Reader"
"A collection of compositions and improvisations combining recent explorations with turntable manipulation, percussion and radio static with his expanding vocabulary as both a composer and improviser on the marimba."
Tim Daisy and Alex Inglizian
"Eight electro-acoustic improvisations recorded by two creative minds in one afternoon."
Tim Daisy's Fulcrum Ensemble
"The three compositions on the group’s latest release “Animation” take inspiration from a range of contemporary musical ideas including: the innovative performance and compositional techniques pioneered by the Association for the Advancement of Creative Musicians, structural and textural innovations connected to contemporary composers including Earle Brown, Anthony Braxton and Terry Riley, as well as the energy and spirit generated by the American “free jazz” movement of the 1960’s and 70's, notably the work of Julius Hemphill, Marion Brown, and Don Cherry. "