"With the unmistakable “Ex energy”. The three-pronged guitar approach is still as exciting as ever, with the guitars of Andy Moor, Terrie Hessels and Arnold de Boer creating tense, interlocking webs of connections and drummer Katherina Bornefeld pushing the band with dancing, hypnotic patterns. - Guy Peters, Geraarsbergen, 2018 "
Joggers & Smoggers
"‘‘This record is a joyful testimony to music’s continuing ability to communicate ideas. They have opened up their frenetic grind to encompass 1,000 different rhythms. They’re caught up in something unique.’’"
The Ex at Bimhuis (1991-2015)
"The Ex in 2015 are more rhythmically fluid, but they are still calling out trouble wherever they find it, and the jagged parts aren’t gone, only placed differently. Most importantly, they sound as engaged and vital as ever. —Bill Meyer, Dusted Magazine"
Disturbing Domestic Peace
"This is prime stuff. It's primitive when compared with their current wide-ranging output, but even then they were embellishing their their scratchy politico-punk with some interesting instrumental touches. Morse code keyboards, a chipped-flint guitar sound, distorted vocals, and the rhythm section's implacable forward motion make this worth a listen even if you don't care what they had to say."
"A direct attack on the commercialisation of indie music and the creaky industries that support its mass market consumption. The Ex are still committed naturals in an over exposed and hyped arena."
Catch My Shoe
"While not quite as outstanding an experience as The Ex live (definitely, absolutely and utterly NOT TO BE MISSED), this is easily one of the best post punk / art rock records which will be released in 2010, and a creative high point even for these old hands. -Eddie Thomas, Subbacultcha"
"As important as politics are to the story of the Ex, though, there's an impressive musical progression on the disc as well. The early songs are brittle, nominally funky punk tunes with the occasional lead guitar phrase and arid production. -Joe Tangari, Pitchfork"
"The angular guitars, in-your-face drums, rock cello, and punk vocals are flawless, like a well-slicked machine, perfected through numerous live performances. After a surprising 25 years of existence, The Ex have no signs of becoming stale, tame, or rusty; challenging themselves to bring completely new ideas into the mix.’’ Jon Whitney - The Brainwashed Brain. "
"Dizzy Spells is good. Oh, it's damn good, all right. The Ex are experts at effectively jarring dissonance, but they're not just noisy, either; they're well versed in creating musical chaos. Granted, melody isn't too common, but when it does show up somewhere in the din, it's all the more welcoming. —Spencer Owen, Pitchfork"