Terrie Ex & Ab Baars
"Dutch saxophonist Ab Baars and guitarist Terrie Ex last recorded together in 2000 for their "Hef" album, reuniting in 2015 in Amsterdam for this well-rounded and exhilarating duo album, with Ex on electric guitar and Baars on tenor and soprano saxophones, clarinet and shakuhachi, demonstrating both player's growth and continued joy in improvisation."
Terrie Ex & Ab Baars
"In English there's a related idiom: Dutch courage. That's when intoxication makes you fearless. Perhaps a fitting image for Ab Baars and Terrie Ex on their first record of duets, "Hef". I'm not referring to literal drunkenness, of course, but a figurative image of being tanked, a thoroughly internalized sense of dizzy, giddy musical interaction, bravery to try things you'd know you wouldn't/ shouldn't when sober. Ab is creative music's official drunken master (past masters: Ben Webster, Archie Shepp), and the marvelous Mr. Ex is a very worthy drunkboxing partner. In Ab's tenor especially, I hear this approach (keep in mind, Chan only turns to drunken boxing when pushed to do so!) - a loopy, wild, off-kilter phraseology that's precise and imprecise in the right balance, or rather in the right relation. In the twosome's opener, "Oud Over", Ab lurches and sways like a sot. But beware, 'cause just when you think he'll topple over, he turns into a bloodthirsty silver machine, attacking the jugular and slicing in tandem with Terrie's electric chicken-scratch scrapple of strings. Listen on "Stokdutter" as the guitarist's metallic shards combust behind Baars' slow-motion clarinet, unfazed by sudden motion - two temporalities superimposed, the unreality of unitary chronological time for a buzzed man. The drunken master works at his own pace. What's it take to make music like "Hef"? A liter and a half of Dutch courage. –John Corbett, Chicago, January 2000"
Terrie Ex & Paal Nilssen-Love
"Fourty-two minutes of unadultered sonic violence and energy. Rock? Jazz? Noise? Punk? Paal Nilssen-Love beats the bejeezus out of his trap kit and Terrie Ex throws harsh antagonistic feedback attacks into the process, which have no direction at all, played with the enthusiasm and energy of a garage band of 16-year olds, exploring what they can produce together, equally being surprised at things that work and that don't work, with an audience that shouts and applauds when the volume decreases, thinking the lengthy improvisation is over, but actually it isn't, because neither Paal nor Terrie want to let go, diving back in, sometimes hesitantly, sometimes with renewed power, new attacks, some novel ideas - and it must be said, not all of them are violent - to be further explored, developed or altogether massacred with an attitude of self-destruction, with a loathing of feelings like empathy or sympathy or even apathy, expressing feelings of anger and disgust, as it should be in a punk band."
Terrie Ex & Xavier Charles
"Seven duo improvisations recorded in Addis Abeba, Ethiopia in room 103 at Baro Hotel (Piazza) and Bateau Ivre (Kazanchis)."
"TAKING ADVANCE ORDERS
“We always start from zero when we make a new album. We enter the rehearsal room with a few loose ideas, a riff or a beat and see what happens. There is always the risk that it doesn’t work out. That risk is part of our music and of our lives.” - The Ex.
“The Ex released their previous regular studio album as a 4-piece (Catch My Shoe) in 2010. While that might seem like a long stretch, their schedule since then tells you another story. The band also released a second album with Ethiopian legend Getatchew Mekuria, and another one with Brass Unbound, featuring several of their friends from the realm of free improvisation. On top of that, there were also a few 7″split-singles, several phenomenal birthday festivals and a lavish photo book that was published as a tribute to the late Getatchew Mekuria in 2016. But now there’s new music. With the unmistakable “Ex energy”. The three-pronged guitar approach is still as exciting as ever, with the guitars of Andy Moor, Terrie Hessels and Arnold de Boer creating tense, interlocking webs of connections and drummer Katherina Bornefeld pushing the band with dancing, hypnotic patterns. - Guy Peters, Geraarsbergen, 2018 "
Joggers & Smoggers
"‘‘This record is a joyful testimony to music’s continuing ability to communicate ideas. They have opened up their frenetic grind to encompass 1,000 different rhythms. They’re caught up in something unique.’’"
The Ex at Bimhuis (1991-2015)
"This 2CD multi-gatefold package (plus 32-page glossy booklet featuring images of popsters, photos and lots of quotes) features 24 tracks from the Amsterdam jazz club, Bimhuis. Right from the first track on this collection, 1991’s Flutes Tale, you can hear the exploration. Entitled the Ex and Guests (who are, on the whole, a host of jazz/brass players), the band combine a slice of wacked-out jazz rock of an avant nature that delights as it surprises. Moving to 1993 and Dear House, the brass remains but the rock is more in evident as the vocals head off in a post punk, almost Wire-like fashion."
Disturbing Domestic Peace
"This is prime stuff. It's primitive when compared with their current wide-ranging output, but even then they were embellishing their their scratchy politico-punk with some interesting instrumental touches. Morse code keyboards, a chipped-flint guitar sound, distorted vocals, and the rhythm section's implacable forward motion make this worth a listen even if you don't care what they had to say."