"Recorded 5th June 2001 at the Koeienverhuur Studio in Purmerland and 21st May 2002 at Villa Zuid, Wormer by Dolf Planteydt. Mastered at LOUD, Amsterdam by Zlaya."
Improvising: A One-Year Journey Around Africa
Emma Fischer and Terrie Hessels
"'IMPROVISING’ is the story of an incredible journey by Emma Fischer (painter, graphic designer, ceramist) and Terrie Hessels (guitar player in The Ex) through 21 countries in Africa. They travelled for a year in an old Land Rover. Not as tourists, but as travellers with an open mind and free attitude, dealing with countless unexpected, unpredictable, sometimes risky, but mainly fascinating and fantastic situations"
Soigne Ta Droite
"This is complex composed music delivered with the passion of free playing, never losing control, but delivering a satisfying punch. The recording was made for the lucky audience of the Artacts Festival for Jazz and Improvised Music in Austria in, 2018. -Paul Acquaro, Free Jazz Blog"
T-Shirt - Catalytic Sound Festival 2021
"Designed by Federico Peñalva in commemoration of the 2021 Catalytic Sound Festival. Screen printed by Barrel Maker Press in Chicago."
"Melaku likes to call the music ‘Addis Tradition’, which means ‘new tradition’. And that how it is. You feel the strong, traditional Ethiopian tunes, deeply rooted in the culture of many regions, but you also sense the new generation of great dancers and musicians. All five of this Fendika group are extremely talented and groundbreaking in their technique and approach. -Terp Records"
The Lion Of Ethiopean Saxophone
"Getatchew passed away on April 4, 2016 at the age of 81 after a musical career of more than 68 years. As a final tribute The Ex has published this photobook. 168 pages. Four sections of pictures; a selection from Getatchew's private album with historical photos and photos by three very different international photographers — Andy Moor, guitarist in The Ex, Matias Corral and Nick Helderman who came on tour in Europe, America and to Addis Abeba — to document this unique collaboration between Getatchew Mekuria & The Ex & Guests. This photobook is the result of what appears to be an unlikely collaboration between Dutch underground band The Ex and Ethiopian saxophone legend Getatchew Mekuria. The Ex fell in love with an old Getatchew cassette from 1972, and in 2004 they wanted to invite him for their 25th Anniversary Festival. They went to Addis to find him and when they met, Getatchew was up for it right away. The result was a fruitful 10-year collaboration with more than a 100 concerts worldwide, plenty of enthusiastic press and two beautiful CD/LPs. In 2014, because of diabetes, he developed serious problems with his legs and couldn't travel any more. The Ex at that point decided to organise a Celebration of Getatchew Mekuria concert series in Ethiopia, including the National Theatre in Addis Abeba. It sold out. 1500 people came and there was a standing ovation. A truly honourable farewell to a great musician. Soon after this, his health began to deteriorate quickly. The book is co-published by Terp Records and Ex Records (EX 146-B). "
Getatchew Mekuria & The Ex & Friends
"The sound is full, warm, accessible and guaranteed to suck you in and keep you captivated till the last note has died out. -Stef, Free Jazz Blog"
Getatchew Mekuria & The Ex & Guests
"Moa Anbessa is a great introduction to Mekurya for rock fans. The Ex doesn’t cut their intensity a bit – heck, they need it all to keep up with Mekurya, still going strong in his seventies. This is a powerful, rocking record that will thrill even listeners who’ve never bought a “world music” album in their lives. -Steve Holtje, The Big Takeover "
Gustafsson / Vandermark / Baars / Nilssen-Love
"Recently unearthed, 7", 45 RPM, single, recorded during two 'Saxophone' projects of The Ex in Ethiopia. Features a trio of Ab Baars, Ken Vandermark, and Paal Nilssen-Love, and Mats Gustafsson solo on the B-side. "
Komen & Gaan
ICP Septet + Joris Roelofs + Terrie Ex
""Much of the album is devoted to improvisations by subgroups that are by turns impelled by collegiality and bristling with challenge. They differ nearly as much from one another as they all do from the twice-visited, Ellingtonian pastiche, “De Linkershoen, De Rechtershoen” (The Left Shoe, the Right Shoe). While it might have been more fun to be there, sneaking drinks from the bottles on the tables while the musicians played with and provoked one another, the music’s mercurial progress is amusement enough to put a smile on your face." -Bill Meyer, Dusted Magazine"