Sonic Youth & Mats Gustafsson
"Although the disc is divided into separate tracks, Hidros 3 is really one extended piece, with no gaps whatsoever. Dedicated to Patti Smith, it frequently sounds like improvisation rather than composition. The piece was recorded live at its premiere in 2000. The players were housed in small rooms of the Art museum in Ystad, Sweden, during its KulturBro festival. Jim O'Rourke was in charge of the mixing, the only performer capable of filtering the composite whole. The audience were free to wander from chamber to chamber, experiencing various subjective perspectives of the performance."
Jazz pa Svenska
"Their music is played first reverently, with full melody and rhythm, but then the band shifts the whole thing into a modern package, including live electronics. The band is Mats Gustafsson on alto, baritone saxes and live electronics, Kjell Nordeson on vibraphone, dieb13 on turntables, Per-Ake Holmlander on tuba and cimbasso, and Erik Carlsson on drums and selected percussion."
Toots and Quincy
"Flexi-disc, 7″, 45 RPM, Single Sided, Square, Orange Transparent – Dieb13: Electronics Erik Carlsson: Drums Kjell Nordeson: Vibes Mats Gustafsson: Reeds Per Åke Holmlander: Tuba"
""The icing on the cake of the Swedish azz line-up are 79-year-old Holmström himself and 72-year-old trumpet legend Bengt Ernryd. Compared to the original, Swedish azz’s version is much gloomier. Kjell Nordeson’s vibraphone illustrates an insecure atmosphere, then Ernryd’s trumpet in combination with the other reeds increases the tension before the piece turns to a violent free jazz orgy, in which any order seems to have gone overboard. All instruments struggle with each other, there is absolute turmoil. It is interesting that in contrast to other Swedish azz pieces the electronics are hardly audible. All in all, Swedish azz have adopted the structure as well as the focus on the acoustic instrumentation of the original." "
"At this juncture The Thing and its members need little by way of introduction. Individually their output plots a course through much of the territories mapped by contemporary improvised music, shines a light on its more outré reaches, and stretches the wallets of even the most committed listener. Moreover, seeing any of their names affiliated with a project has become a seal of quality, much as the FMP logo did a generation prior."