Mats Gustafsson & Paal Nilssen-Love
"It is a short EP, but the quality of the playing, and the interaction between both musicians is among the best you can find - powerful and deeply emotional at the same time. Great stuff."
Mats Gustafsson / Barry Guy / Raymond Strid
"The energy swells and recesses, popping circuits off the listeners receptors even in the quietest moments. -Mark Corroto, All About Jazz"
Narrominded: Split LP Series #3
Mats Gustafsson / Cor Fuhler
"The third installment in the Narrominded Split LP Series consists of new works by two important musicians from the world of European free improvisation. Pianist Cor Fuhler and saxophone player Mats Gustafsson have been exploring new possibilities for their instruments for the past twenty years. Not only by putting these instruments in radically different contexts, but more importantly by developing new ways of playing. Fuhler mainly works inside the grand piano, stimulating the strings with all sorts of magnets, ebows and customised handtools. Gustafsson has broadened the textural possibilities of his instrument with an extended array of tongue techniques. While the explorations of these two musicians take them to very different musical and emotional terrain, the unrelenting sense of experiment is what connects them on this LP."
PhonoMetak Series # 2
Mats Gustafsson / Paolo Angeli
"Here with 3 improvvisations more than saxophone compositions, They are similar to choked breaths, or even more similar to some bodily function - sort hardcore jazz flatulences, sounds exactly as it would in a live performance. When You hear Gustafsson's exclamations on the end of Man in his Boat Desperately Cushing the Ice You'll get shivers."
Nothing to Read
Mats Gustafsson / Paul Lovens
"This is a masterpiece of free improvisation, but good luck finding a copy. It confirms Mats's status as a master musician even at this relatively early stage of his career."
Mats Gustafsson and Jason Adasiewicz
""From the very beginning the atmosphere brings to mind the soundtracks of French film noir classics. Most of the pieces are incredibly slow, quiet, even tender and surprisingly tuneful. ... At the end of the day the music evokes an alternative kind of tension, one with a different kind of energy, one with less volume, one with a bigger focus on restraint. Gustafsson and Adasiewicz explore more subtle dynamics and moods, which are still full of passion and intensity." - Martin Schray"