"Two years ago, Gush celebrated 25 year as a group. One of the concerts on the anniversary tour was organized by FRIM/SYD at Inter Arts Center in Malmoe. Konvoj Records were there! Very few things need to be said about Gush. With their abstract compositions, dissonances and free improvisations, they have already found their way into the ears of most of the daring listeners. Gush was a central force in establishing the scene for free improvised music and free jazz in Sweden in the late 80's. The group and its musicians have since continued to strongly affect, mold, deform, develop, embroil and transform both the sound of their music as well as its audience. Konvoj Records are very proud to present a recording of this amazing event in May, 2013! "
Gustafsson / Russell / Strid
"The trio of Mats Gustafsson (saxophones), John Russell (guitar), and Raymond Strid (drums) play an outstanding live set of improvisation with timbrical richness at Hagen Festen 2011"
Guy-Gustafsson-Strid Trio with Marilyn Crispell
"Recorded on January 22, 1996 by the Swedish broadcasting corporation, this features an international all-star new jazz/improvising group of Mats Gustafsson-soprano, tenor and baritone saxes, Marilyn Crispell-piano, Barry Guy-double bass and Raymond Strid-drums.."
Jaap Blonk / Mats Gustafsson / Michael Zerang
"Documenting a complete, unedited session recorded in Stockholm, there is a visceral excitement as each of the eleven cuts of this recording explores the extremes of the avant-garde. Blonk is found here in a startlingly original and totally improvised trio with free music stylists Matts Gustafsson and Michael Zerang. A departure from Blonk's other recordings, this is the first of two stunning interactions with some of the finest free-style musicians on the scene. For this CD, Swedish woodwind whiz Gustafsson brings his full arsenal of soprano, tenor, and baritone saxophones, flute, fluteophone, and french flageolet, while Chicagoan Zerang powerfully and gracefully fills the percussion slot. Blonk's voice is both horn and percussionist, and the three performers seem to enjoy the interactive flow of pings, pops, and scratches. Stimulating and ever-changing, this recording demands close listening, but the rewards are clearly there for the adventuresome. Not to be missed, this version of Improvisors is laced with humor, along with buckets of extraordinary noises/sounds.""
James Blood Ulmer and The Thing
"This is not a James Blood Ulmer album. This is not a The Thing Album. If that’s only what you’re after I can highly recommend the magnificent Blood’ album ‘Tales of Captain Black’ from 1979, or The Thing’s ‘BOOT! from 2013. Furthermore, one simply cannot say what James Blood Ulmer is, as far as genres go. Is he jazz? Is he funk? Is he rock or blues? Is he ‘someone-who-took-Jimi-Hendrix-playing-to-the-next-level’? I’m just going to leave it at this: he’s James Blood Ulmer. He’s a living legend as far as breaking boundaries in cross-genre guitar playing goes. - Gustav Lindqvist"
Brace For Impact
Joe McPhee & Mats Gustafsson
"McPhee and Gustafsson liked these recordings so much that they immediately mixed and mastered the proceedings for an unspecified label only to have them collect dust in the vaults for the next decade. Fast forward to the present where CvsD has done this lost session justice with a knockout release emblazoned with artwork by Chicago-based artist Charline von Heyl. -Nick Metzger, Squid Ear"