Ken Vandermark & Paul Lytton
"Vandermark alternates between the more groove based playing that he has made a name for and slightly more abstract and in a "freer" fashion. Lytton runs with these moods through busy work that is attuned to what Vandermark, heard mostly on saxophone, is playing. "
27 Years Later
"Drummer and percussionist Paal Nilssen-Love performed this incredibly diverse solo set at the Forum, Norway during the 2002 Molde International Jazz Festival. The CD was originally released in a limited edition of 150 on the Utech label in 2005. This reissue on Nilssen-Love's own PNL label puts this extraordinary set back in print for a wider audience. Recommended!"
Evans / Fernandez / Gustafsson
"As an archeological project, this recording is a rare artifact, documenting the collaboration of three important improvisers whose technique is paraded on each track. Sometimes they choose to walk a minimalist line, Fernández exploring the piano's insides—much of the time mimicking a percussionist—while Gustafsson and Evans play with breathy sounds. In other spots, Gustafsson delivers his now-patented shout-smack saxophone punch and Evans brings his growling rumbles. Without the persistence of beat or the bounds of meter, the trio is free to exercise some serious kopros noise-making, Some may think these challenging sounds merde, others an instant archaeological treasure."
Mi Casa Es En Fuego
"Rempis snarls and chortles his way through the proceedings as Nilssen-Love catapults himself straight from one end of the set to the other, providing the relentless drive for which he's so well known. A must have recording for any fan of the intertwined Oslo-Chicago scenes."
"On this, his debut solo CD, Andy Moor explores a wide spectrum of his unusual guitar style, resulting in an exciting, varied and challenging collection, ranging from melodic solo guitar pieces to atmospheric soundscapes and wild outbursts of radical sound."
Ways Of My Hands
"Ways Of My Hand suggests another side of Harnik. Her improvisations transform instantly into compositions that reflect her intimate and deep knowledge of the many histories of jazz, avant-garde, art rock and improvised music of the last century and distill her strong, idiosyncratic voice. The five compositions were recorded in September and December 2015. "