Back In the Game
"In 1993, a 57-year-old Syl Johnson made a long overdue return to the studio with Back in the Game, his first album since the early '80s. "Inspired" is definitely a word that describes Johnson's performances on this CD, which unites him with the legendary Hi Rhythm Section of the '70s. Joined by drummer Howard "Bulldog" Grimes and the Hodges brothers (guitarist Mabon, bassist Leroy, and organist/pianist Charles), including Ken Vandermark."
Nothing Is Forever
Frode Gjerstad Trio
"The trio freely accumulates sonic materials until a pattern emerges and the music then takes off from there, always holding the listener's attention in the process; the music very rarely becomes rises to all-out blowing, keeping the energy flowing through control and careful listening instead. Gjerstad’s phrasing employs wide intervals and a chirping, bird-like sound, and makes a very convincing case for an original and highly original combination of Eric Dolphy's and Albert Ayler's lineages. The different strategies devised by drums and bass in reaction to the unexpected breaks, jumps and timbral microvariations in the reeds' lines make for this listener the most exciting moments in a very successful CD."
A Heart That Responds From Schooling
Alessandro Bosetti & Chris Abrahams
"A Heart That Responds to Schooling is the second album recorded by italian composer and performer Alessandro Bosetti and Australian pianist Chris Abrahams. The album is a chest of intimate and oblique sonic explorations that span both improvised fragments and original renditions of compositions like Steve Lacy’s Esteem (with Bosetti’s lyrics) and Milton Nascimento’s Bridges (Travessia) in the english version with Gene lee’s lyrics. It was Recorded in Berlin in November 2013, and is following the critically acclaimed debut We Who Had Left in 2012."
New Horse For the White House
"The Territory Band 5's triple-CD A New Horse for the White House (october 2005) featured Fredrik Ljungkvist, Dave Rempis, Axel Doerner, Johannes Bauer, Per-Ake Holmlander, Jim Baker, Fred Lonberg-Holm, Lasse Marhaug, Kent Kessler, Paul Lytton, Paal Nilssen-Love, and offered four lengthy postmodernist games: Fall With A Vengence, Untitled Fiction, Corrosion, Cards. (The third CD includes live versions of the same pieces)."
Terrie Ex & Paal Nilssen-Love
"Fourty-two minutes of unadultered sonic violence and energy. Rock? Jazz? Noise? Punk? Paal Nilssen-Love beats the bejeezus out of his trap kit and Terrie Ex throws harsh antagonistic feedback attacks into the process, which have no direction at all, played with the enthusiasm and energy of a garage band of 16-year olds, exploring what they can produce together, equally being surprised at things that work and that don't work, with an audience that shouts and applauds when the volume decreases, thinking the lengthy improvisation is over, but actually it isn't, because neither Paal nor Terrie want to let go, diving back in, sometimes hesitantly, sometimes with renewed power, new attacks, some novel ideas - and it must be said, not all of them are violent - to be further explored, developed or altogether massacred with an attitude of self-destruction, with a loathing of feelings like empathy or sympathy or even apathy, expressing feelings of anger and disgust, as it should be in a punk band."
Getatchew Mekuria & The Ex & Guests
"it is a magnificent melding of cultures. [...] Moa Anbessa is a great introduction to Mekurya for rock fans. The Ex doesn’t cut their intensity a bit – heck, they need it all to keep up with Mekurya, still going strong in his seventies. This is a powerful, rocking record that will thrill even listeners who’ve never bought a “world music” album in their lives."