Ken Vandermark & Paul Lytton
"Vandermark alternates between the more groove based playing that he has made a name for and slightly more abstract and in a "freer" fashion. Lytton runs with these moods through busy work that is attuned to what Vandermark, heard mostly on saxophone, is playing. "
Ken Vandermark & Terrie Ex
"these good friends somehow manage to find “seemingly incompatible tactics that somehow fit together.” The tactics, as the titles often suggest, are quite chaotic, and opt for muscular head-on collisions and jumpy cat-and-mouse games with a raw, in-your-face sound. -Eyal Hareuveni, Free Jazz Blog"
Ken Vandermark & Tim Daisy
"It is free and it funks. It is jazz in it's purest form: two artists enjoying the fun of lyricism interacting with rhythm, conjuring up emotions of happiness, but also of sadness. The subtly is not only in the finesse of the emotional or sonic shadings that you get with lots of new music today, but also in the straightforward improvisation, with the subtlety being fully present in both musicians' maximal use of their skills, with ear-candy to boot."
Light On the Wall
Ken Vandermark & Tim Daisy
"Great duo and solo performances by Chicagoans drummer and percussionist Tim Daisy and saxophone player Ken Vandermark. Double LP, the first one documenting the duo experience and the 2nd LP documenting the solo performances. Come in a beautiful double vinyl by Laurence Family Records."
Burning River Melting Sea (Égő Folyó Olvadó Tenger)
Ken Vandermark / István Grencsó / Róbert Benkő
"Both the compositions and the improvisations, whether duo or trio, exhibit a depth of creative understanding that was impossible on our initial encounter. This communication transcended the music, and it transcended language as well. -Ken Vandermark"
Ken Vandermark / Klaus Kugel / Mark Tokar
"Can there be such a thing as straight-ahead free? If so, this disk’s five as-it-happens improvisations would be it. Each achieves something remarkable, a seldom-realized free jazz ideal: the more these players achieve something remarkable, the more these players sacrifice themselves in support of one another, the more our attention is drawn to each’s individual merits. Teasing his solos to climax on the album’s two longest performances, Vandermark shows he knows the difference between repetition and repetitiveness. This might be some of his best playing on records; it’s definitely among his lustiest. Tokar’s “extended” bass technique is astonishing, and worthy of special notice is the way he matches tones with Vandermark when the latter explores the lower reaches of his horn. Kugel is a model drummer, supplying both motion and combustion without so much as implying a steady beat. Only one modifier will do in further categorizing this free jazz: classic. - Francis Davis"