Joe Morris / Ken Vandermark / Hans Poppel
"This record finds Joe Morris with Ken Vandermark, who played clarinet and bass clarinet, and German pianist Hans Poppel. It was recorded in 1996 and released on the Knitting Factory label. Produced by Joe Morris."
Joe Morris / Ken Vandermark / Luther Gray
"One moment will have you holding your breath and the next will spur you to relax and slowly let your breath go. These three players never choose the highways when there are other roads to travel; you never know in which direction they’re going to turn. When the trio arrive at its destination, you’ll want to make the journey again: back to the first track. Another listening, another impression of this detailed recording’s nuances."
Jon Vanderlander Trio
Jon Vanderlander Trio
"The Jon Vanderlander Trio 45, with Jon Fält (drums & percussion), Ken Vandermark (clarinet & baritone saxophone), and Per-Åke Holmlander (tuba). Recorded at Fylkingen, Stockholm, on October 29th, 2006, by Niklas Billström. Features the compositions “Tom Säck,” “Misha,” and “1st.” "
"One more important record to the art of the reed & bass duets, now with Vandermark on reeds, and some of today's greatest modern jazz bassists: Ken Kessler, Ingebrigt Håker Flaten, Nate McBride and Wilbert De Joode. Not only because of the variety of reeds used, and the different styles of the bass players, but also the approach differs greatly on all these relatively short improvisations."
Mark In the Water
"Wether playing open pieces or portraits what Ken Vandermark is really doing is looking in the mirror and making a self-portrait. And it comes out as a picture of an excellent musician, remarkable artist and sensible soul that is as deeply passionate about music as one can be. A mere chapter on his musical journey, a document of his self-conscious development as an artist and a musician. A picture of a mark in the water (trying to capture and fix what never stays the same). I loved the concert, I love the album"
"Site Specific is a neat entry in the Ken Vandermark oeuvre: a minimalistic, beautifully bound book packed with two CDs capturing live solo field performances in '14 and '15, showcasing Vandermark's photographs taken as he has toured the world. Time and place take a back seat to imagery, textures and emerging themes (Paul Acquaro, The Free Jazz Collective)"
Two Days In December
"With these duos I think that we tried to be as free from musical categories and boundaries as we could, playing what the music suggested not what our preconceptions dictated. -Ken Vandermark"
Momentum 1: Stone
"Each disc on this collection has its own distinct feel, presenting six individual journeys within the whole. All of the musicians are acutely aware of their surroundings, and the inspiration that they drew from one another was palpable (Tim Niland, Music and More)"
Nine Ways to Read a Bridge
"Bridges are a symbol of bringing people together, of communicating with each other, of connecting ideas. What else could reading bridges in the context of the music we usually talk about here mean but presenting different approaches of making music and trying to understand how communication works? Who else but Ken Vandermark has been constantly presenting such approaches by crossing the borders between hardcore jazz/punk (with The Flying Luttenbachers), noise core (with Zu), free funk (with Made to Break), new classical music and of course with his various free jazz/improv projects (everything from duos to larger ensembles like Audio One or the Resonance Ensemble) – and these are only a few examples! Ken Vandermark is simply one of the great masters of notated music and completely free improvisation."