Axel Dörner / Fred Lonberg-Holm / Michael Zerang
"Trumpet, cello and percussion wouldn’t seem to share many timbral effects, but it’s often difficult to figure out who’s doing what. “Kasu,” for example, is a rolling patter of metallic-sounding thwacks, taps and scrapes that evokes myriad shades of gray, yet even when Dorner offers more conventional brass tones, as on “Ranzen,” the quick-blink reflexes of Lonberg-Holm and Zerang are at once so intuitive and disorienting that the trumpeter may as well be playing a belt sander, a testament to the trio’s sense of sonic creativity. Rather than revealing pet licks and favorite gimmicks, repeated listening only delivers a greater array of clever details. -Peter Margasak, JazzTimes"
Five Arias For Nalca
Benjamín Vergara / Fred Lonberg-Holm / Aaron Zarzutzki
"In all five tracks there’s never just a single idea of how the recording will proceed. They seem to decide on the spot, always ready to change direction or choose another path. This is probably the most important lesson learned in collective improvisation. -Fotis Nikolakopoulos, Free Jazz Collective"
No Time Left or Sadness
Fred Lonberg-Holm & Joe McPhee
"The intimacy of the recording makes for some close encounters of the intuitive kind and both McPhee and Lonberg-Holm demonstrate an uncanny understanding of each other's presence. There is an emotional intensity to the recording too. -Sammy Stein, The Free Jazz Blog"
Fred Lonberg-Holm & Ken Vandermark
"Fred Lonberg-Holm and Ken Vandermark are like a small band on this album, tight, voluminous, ideally matched, often it seems as if the music was pre-composed (but all of it is freely improvised). The music is like a dance between a songbird (cello) and a belling deer (tenor saxophone), sometimes their energy literally collides. -Martin Schray, Free Jazz Blog"
35 Grapes (19 Shown)
Fred Lonberg-Holm & Michael Zerang
"Like two abstract visual artists painting on the spot, these two begin with an idea of where they going and travel down some treacherous courses with little guidance. The results are uniformly stunning and enlightening. Zerang and Lonberg-Holm have done this sort of thing with others many times before, but this is clearly one of their best. -Steve Loewy, AllMusic"
Fred Lonberg-Holm & Peter Brötzmann
""What makes this record such a delight is the synergy between these two remarkable talents. They speak the same language, even if following along requires a dictionary." - Kevin Press, The Moderns"
Fred Lonberg-Holm / Farida Amadou / Simon Camatta
"All funds raised from the sale of this album will go to an organization suggested by Fred, Médecins Sans Frontières, which "provides medical assistance to people affected by conflict, epidemics, disasters, or exclusion from healthcare. Their teams are made up of tens of thousands of health professionals, logistic and administrative staff - bound together by our charter. Their actions are guided by medical ethics and the principles of impartiality, independence and neutrality. We are a non-profit, self-governed, member-based organisation. MSF was founded in 1971 in Paris by a group of journalists and doctors. Today, they are a worldwide movement of nearly 65,000 people." credits "
Bridges Freeze Before Roads
Fred Lonberg-Holm Quartet
"Four individual voices overlapping in convulsive fragmentations, yet never exceeding the threshold of a barely disturbed imperturbability; even if Lonberg-Holm is indicated as the “leader”, this is pure and simple “anarchic democracy”. The abundant fruits generated by the artistic sensitiveness brought in by Guillermo Gregorio on clarinet, Glenn Kotche on percussion and Jason Roebke on bass are tangible since the very first listen; the development of a common, if atypical language seems to be the only thing that matters for this quartet. -Massimo Ricci"