Quand Fond La Neige, Où Va Le Blanc?
Christine Abdelnour & Chris Corsano
"""Below The Hull" pairs moisture and thumps, and "The Mended Lid" displays Morse code wind and head-high squeal in high speed discourse. When the pair do eventually resort to more "normal" sounding sax/drum interplay ("Sitting Still While the House Next Door Burns"), it comes as a surprise, another facet of their constructions. Turn the diamond in your fingers and listen to the the light dance." - Jeph Jerman, Squid's Ear"
Akira Sakata & Chikamorachi
"Makes the (re-)discovery of Sakata a real pleasure and joy for the ears. Let's hope it doesn't take another twenty years before his next album is available outside of Japan. -Free Jazz Collective"
Another Dull Dawn
"CC ... blew the 'free' into free music again, threw an energy molotov cocktail over western massachussets, and has a non-academic and unlimited interest in sounds far behind any traditional free music school! This LP is a collection of most of his different techniques that blew you away when you saw him play live. - Ultra Eczema"
""It wasn’t an exercise in constraint necessarily; it was just what I was feeling. I made that record because those were the sounds I was hearing in my head. The first solo record [Young Cricketer]...it wasn’t like it changed the world, but it did change my little world. It was a first statement, and that’s a powerful thing—it gives context to everything that comes after it. Since there's no point in saying the same thing twice, I felt like the second solo record should be as far away from the first as possible, while still feeling honest to me." Chris Corsano - Bomb Magazine"
The Young Cricketer
""The Young Cricketer plays out like a showreel for Corsano’s miraculous dexterity and virtuosity as a drummer. It’s a set of recordings made during Corsano’s time living in Manchester back in 2006 utilising all manner of objects and apparatus to offset and treat his drumkit, often morphing its sound into something unrecognisable. The Young Cricketer is a beautifully recorded album, with Corsano’s expanded kit occupying a vast stereo field, and every percussive gesture allotted its own distinct place in the mix. Consequently, this is probably the most thorough representation of Corsano’s near peerless drumming yet committed to record and stands as a pretty indispensable document for all lovers of free music and percussive invention. Stunning.” - Julien Héraud"
"With 19 tracks covering a variety of approaches and linked by short improvisations, Cut is a cohesive and workmanlike record with minimal flair and a lot of interest. In continuous dialogue with his own ideas and limitations, as well as that of his large but well-chosen arsenal, Chris Corsano continues to display a solo language that is both rigorous and inviting. - Clifford Allen, Tiny Mix Tapes Eureka! review"
"100% of the funds collected from the purchase of Mezzaluna [CAA-026] will go to Community Voices Heard (www.cvhaction.org), an organization suggested by Chris. CVH "is a member-led, multi-racial organization principally comprised of women of color and low-income families in New York State. CVH tackles tough issues and builds power to secure racial, social and economic justice for all New Yorkers. Through grassroots organizing, leadership development, policy changes, and creating new models of direct democracy CVH is creating a truly equitable New York State.""
Chris Corsano / Bill Nace / Steve Baczkowski
""Mystic Beings generously called me out to where I needed to be. The shallows and the shores are where the worst dangers can find us, and our best chance of survival is sometimes out in the rolling depths. Deafen out the sirens and stay onward in the deep waters. Thank you, Bill and Chris and Steve, for sharing this kind of wild captain's safety with us.'" --Meg Baird, Cairnryan and San Francisco, Nov 2018"
""The collective experience of Icepick’s members encompasses a myriad of improvisational possibilities, and their technical acumen allows them to tackle tradition-steeped swing as easily as post-everything noise, but they keep their focus on evolving sonic narratives that resolve each knotty exchange or coarse textural exploration with a nakedly emotional tune." - Bill Meyer, Chicago Reader"