Azimuth (Live at Constellation)
Nick Mazzarella Trio
"The tape Azimuth (Live at Constellation) features three lengthy group improvisations all marked by a fiery intensity, with the front man's playing less indebted to his usual Ornette Coleman and John Coltrane influences. - Peter Margasak"
Desert Encrypts Vol. 1
"The band is seriously locked-in, particularly the drummer and bassist, who provide a springy, ever-morphing foundation for the leader’s clarion pocket trumpet excursions - Peter Margasak"
"Starlite Motel consists of some players you’ve probably seen mentioned on this website before: bassist Ingebrigt Håker Flaten, drummer Gard Nilssen, Kristoffer Berre Alberts on both alto and tenor saxophones, and Jamie Saft on a multitude of instruments: Hammond organ, Whitehall organ, Moog, and lap steel guitar. This fascinating configuration makes for an equally fascinating listen, one that toes the line between improvisational jazz and psychedelic rock with dexterous abandon. —Derek Stone, Free Jazz Blog"
"If you count The Thing’s collaborations with Joe McPhee, James Blood Ulmer, Ken Vandermark, Neneh Cherry, Barry Guy, Otomo Yoshihide, Jim O’Rourke, Thurston Moore and DKV Trio too, Again is their 20th album (including the compilation Now and Forever and the split album The Music of Norman Howard with School Days, another Gustafsson project). Literally speaking, The Thing have done it again. After 17 years in the same line-up (Mats Gustafsson on saxes, Ingebrigt Håker Flaten on acoustic and electric bass and Paal Nilssen-Love on drums) you might think that the band’s music has become predictable, that their mélange of free jazz, blues, rock and noise is actually a cul-de-sac because the musical options are exhausted. However, it isn’t. Though Again is the well-proved mixture of cover versions and original compositions, this time the focus is rather on jazz. The only cover, Decision in Paradise, is an old, rather conventional Frank Lowe piece. The Thing turn the tempo down considerably and a trumpet provided by Joe McPhee, the guest star on this track, transforms the falling lines of the original’s opening passage into painfully bruised sounds before Gustafsson strips the delicate melody to the bone (doing this, it reminds me of Gershwin’s “Summertime“). Bass, trumpet and saxophone dance around each other in slow motion and only after four minutes Nilssen-Love enters the game in order to give the piece more drive and tension. It’s the band’s typical way to take possession of a composition which is not their own. - Martin Schray (Free Jazz Blog) Full review here: www.freejazzblog.org/2018/06/the-thing-again-trost-records-2018.html "
The Young Mothers
"“Then Young Mothers roared out of the gate with fierce, jarring visceral power. Theirs is a dense, multi-layered sound where Ivesian contrapuntal lines often divide the ensemble into competing units -- How fortunate 30 or so of us were that they docked in Deep Ellum last night. I'll be anxiously awaiting their return.” -Ken Shimamoto "
""Moments Form" does not need time to warm up, it just starts -- a solid stream of invention and drive. Could one expect anything less from free jazz stalwarts, Mars Williams, Tim Daisy and Ingebrigt Haker Flaten? All are experienced and hard hitting improvisors and this consistently engaging album certainly, at the very least, solidifies this perception. —Paul Acquaro, Free Jazz Blog"