Anker / Courvoisier / Mori
"It's music worthy of deep listening. Leaving the everyday, even as it rewards the effort of doing so, the profundity of the moment also reaches exalted status, making for music that's urgently alive even while it's shot through with contemplation. - Nic Jones, All About Jazz"
Catalytic Quarterly Issues 1-4 (2018)
"In a very limited quantity of 30 hand-numbered sets, we present the first four issues of the Catalytic Quarterly collected in an envelope designed by our own Federico Peñalva. From Ken Vandermark's first article on the challenges of 21st-century sustainability to Mat's Gustafsson's collected Discaholic's Corner notes and everything in between from Ig Henneman, Andy Moor, Terrie Hessels, Paal Nilssen-Love, Joe McPhee, Joe Morris, Nate Wooley, Ab Baars, Elisabeth Harnik and Tim Daisy all of our partner artists non-musical Catalytic activity is collected in this set. Get one while the stock lasts! "
Either Or And
Evan Parker / Sylvie Courvoisier
""Even though the duo can get confrontational, they also know how to turn their dueling into fun and communicate the pleasure they take in playing with each other." - Alain Drouot, Down Beat"
"Due to the closely interrelated interaction constitutive of a piano trio, the music is driven by a surprisingly stark rhythmic density, without falling into manifold routines or clichés. -Hennign Bolte, All About Jazz"
"Lonelyville may be Courvoisier's strongest work yet as a bandleader in a discography that has included compelling trios, solo albums as well as duets with percussionists and other pianists. It's tempting to call it a crowning achievement. It's much more satisfying, however, to realize that there is, no doubt, much more where this came from. - Kurt Gottschalk, All About Jazz"
Signs and Epigrams
"What makes Signs and Epigrams compelling for intrepid listeners is the density of Courvoisier's constructions, the audacious ways she exploits her materials, and the utter ferocity of her performances. - Blair Sanderson, AllMusic"
Every So Often
Sylvie Courvoisier & Ellery Eskelin
"While this is indeed fully improvised music, the duo is dedicated to euphonic sound. The music is never discordant as the two blend the sometimes slippery blues of Eskelin against the proper European chamber notes of Courvoisier. Her admirable band-in-a-box approach to all parts of her piano, heard on the title track, finds her knocking on wood, plucking insides, mining the utmost from the waves of energy she creates through the palpable feeling. Eskelin comments, responds, and works the edges of her energy. Later on the more direct "Accidentals," both players step up to the front line, bouncing whole notes off each other. But mostly the music tends toward a more courteous and sympathetic tone, making it possible to hear both musicians with full clarity of sound. -Mark Corroto, All About Jazz"
Sylvie Courvoisier & Jacques Demierre
"Proceeds raised from sales of "Hoodoos" will go toward the Bail Project, an organization suggested by Sylvie (bailproject.org). "The Bail Project, Inc. is a non-profit organization designed to combat mass incarceration by disrupting the money bail system ‒ one person at a time."
Time Gone Out
Sylvie Courvoisier & Mark Feldman
"The tour de force title track, at almost twenty minutes, is a world unto itself, with beautiful, charged musical fragments entering and receding, and enough room for each musician to develop ideas both independently and mutually, being governed all the while by the piece's central logic. Its use of space is especially noteworthy, allowing Courvoisier and Feldman to take full advantage of its expansive duration in presenting their ideas. And "Not a Song, Other Songs" may be even better, with a somewhat menacing undercurrent to the music provided by Courvoisier's thunderous chordal attacks and Feldman's ecstatic surges. - Troy Dostert, All About Jazz"