Catalytic Quarterly Issues 1-4 (2018)
"In a very limited quantity of 30 hand-numbered sets, we present the first four issues of the Catalytic Quarterly collected in an envelope designed by our own Federico Peñalva. From Ken Vandermark's first article on the challenges of 21st-century sustainability to Mat's Gustafsson's collected Discaholic's Corner notes and everything in between from Ig Henneman, Andy Moor, Terrie Hessels, Paal Nilssen-Love, Joe McPhee, Joe Morris, Nate Wooley, Ab Baars, Elisabeth Harnik and Tim Daisy all of our partner artists non-musical Catalytic activity is collected in this set. Get one while the stock lasts! "
Ways Of My Hands
"The fractured, rhythmical and melodic elements of this suite may flow in an erratic, eccentric ways but do gravitate into delicate, arresting structures with their own, inner logic and fascinating architecture, expressing a myriad of sounds, feelings and textures, from soft and gentle to the rough and dense ones. A true, masterful work of art." -Eyal Hareuveni, The Free Jazz Collective"
"Sensual reflection challenges us to transcend the usual patterns of experience and penetrate into new sound realms. With subtle humor, the borders of genre are evoked associatively and expanded. -Susanne Kogler "
irrt, irrt das ohr
"Harnik's 2005 solo debut on Extraplatte, featuring microtonal improvisations for piano."
Elisabeth Harnik & Andrea Centazzo
""The improvisations on this recording radiate with life and provide an expansive look into the deeper reaches of our minds. Each one completely engaged me, spurring my imagination in so many ways, taking me to new places that created landscapes with some vivid and unusual scenery. It was a fun listen by two master improvisers and the perfect antidote to another day in the confines of the Corona-Virus Blues. The power of improvisation. Its where it’s at my friends"- Steve Swell"
Elisabeth Harnik & Paal Nilssen-Love
"All sales of Tangram will go to Stand by Me Lesvos (standbymelesvos.gr), an organization recommended by Elisabeth and Paal that was "founded in 2017 by local Greek citizens of Lesvos Island, Stand By Me Lesvos is a different type of Non Profit. With little funds they have created a safe, positive space, where local Greeks, refugees and international team members are all working side by side, just in walking distance from the overcrowded Moria. While international NGOs come and go, they live in Lesvos. Their commitment is for the long term, focusing on three main targets: Education, Empowerment and Integration. We collaborate with Greek locals, Moria camp residents and international team members, because we can only face this situation standing together.""
Elisabeth Harnik / Darren Moore / Tim O'Dwyer
"What are the elemental qualities of sound? How can we distinguish one instrument from another when an artist’s aim is to transcend the traditional domains? Elements offers answers to these questions posing sonic answers that unfold in the moment. A first time meeting, Elements features pianist Elisabeth Harnik, saxophonist Tim O’Dwyer and drummer Darren Moore. Recorded live in Singapore in January 2020 just prior to worldwide lockdowns, the pristinely documented album captures unadulterated exploration of sound where each artist lays down the territorial markers of their individual style towards shared modes of discovery."
Soigne Ta Droite
"This is complex composed music delivered with the passion of free playing, never losing control, but delivering a satisfying punch. The recording was made for the lucky audience of the Artacts Festival for Jazz and Improvised Music in Austria in, 2018. -Paul Acquaro, Free Jazz Blog"
Frank Gratkowsli & Elisabeth Harnik
""Their interplay is so nuanced and quite often you may wonder where one idea began or finished as so much fascinating musical, intellectual, and emotional information is being exchanged at every given moment." - Eyal Hareuveni"
Joelle Leandre / Elisabeth Harnik
"Harnik and Léandre continue to perform as a duo but even on this early phase of their collaboration they already established a profound bond. As Ken Vandermark notes in his liner notes, both bring to this setting their “unique personal creative histories - applying techniques and melodic/textual territories that are distinctly their own, developed in other ensembles and field of endeavors, and brought together through the parallel lines of expression”. -Eyal Hareuveni, Free Jazz Blog"