Solo Songs for Instruments
"[...] Ig Henneman has discovered a third route, a fusion of the Lied's finesse with the straightforwardness of a jam session. Her Solo Songs for bassoon, bass clarinet, violin, viola and cello trace a semi-improvised road towards song, starting from an instrument. The musician plays, and plays on, till a tipping point is reached where text presents itself as an answer to the questions uttered by the notes as they were groping, searching, dancing, growling, whining. At this point, replete with climactic musical energy, the musician starts to sing, pressed by an urgency too strong for the voice to withhold: it must speak out. It is the turning point. The words of Ingeborg Bachmann, Anneke Brassinga, Emily Dickinson, Sarah Lawson and Nanao Sakaki provide first aid, in magical ambiguity. [...]. —Bas van Putten"
Ig Henneman Kwintet
""… Her compositions inspire performances which are anything but ordinary, the collective improvising often breathtaking. The balance between melody and abstraction, rhythmic drive and ballad tones, keep it all sounding brilliantly right. In Grassetto feautures exciting bass clarinet Hein Pijnenburg, with Bart van der Putten's alto, Wilbert de Joode's bass, and Fred van Duynhoven's drums. They execute Henneman's turns magnificently. The leader has an original touch on viola." --Doug Lang CODA Magazine 1999"
Cut a Caper
Ig Henneman Sextet
"Cut a Caper by Ig Henneman is an album brilliantly composed, performed by a stellar ensemble and executed with staggering passion. Adventurous, captivating, demanding and rewarding. -Jazz Alchemist Best Albums of 2011 nr.2 (PL)"
Live at the Ironworks Vancouver
Ig Henneman Sextet
"(...) In this way Henneman developed a complete own language that shines with purity and authenticity (...) the six members own strong personalities that they like to show with guts, patience and measured discretion. -Tim Sprangers, Jazzinternationalrotterdam.nl"
Ig Henneman Sextet & Guus Janssen
"Available only to Catalytic Sound members. For more information: https://www.patreon.com/catalyticsound"
Repeat That, Repeat
Ig Henneman Tentet
""The Tentet lays out a silken, sumptuous ensemble sound, constructed from one composition to the next... which unfold at a leisurely pace into glorious peacock-feathers." –Erik van den Berg, Volkskrant"
Dropping Stuff and Other Folk Songs
Ig Henneman, Jaimie Branch, Anne La Berge
""... Three eccentric sketching women who succeeded in converting the concert hall into a spectacle with a drowned diesel engine on a race track, although it did not turn into a crazy fair. No, it was primarily an ode to the ingenious freedom, an intensely varied and colorful performance that was permeated by fun and games, but one of the kind that made your feelers and imagination run wild by its fresh originality, abrasive delicacy and unpredictable coherence." - Guy Peters, Enola Magazine "
Live @ The Jazz Happening
Perch Hen Brock & Rain
"Relative Pitch Records – RPR1051, Wig – 26 Recorded November 2, 2014 at Tampere Jazz Happening, Finland. Produced in collaboration with Wig Records. credits released April 27, 2017 "
Galina U (from Ig Henneman Collected)
Queen Mab Trio
"Galina U has been compiled from compositions that Henneman contributed to the Queen Mab Trio albums, See Saw and Thin Air, along with ‘Overtoom’, from a previously unreleased recording session. For See Saw Henneman contributed three tracks: ‘Marilyn L’, ‘Lori F’ and ‘Galina U’. The latter is an evocative ode to the Russian composer Galina Ustvolskaya, in which Henneman endeavours to mirror Ustvolskaya’s idiom with ominous, compelling rhythms and piano chords hammered out with full force, and she succeeds in coming unmistakably close while fortunately retaining her own vocabulary. Marilyn Lerner – piano; Lori Freedman – bass clarinet / clarinet Ig Henneman – viola "